This body of work is rooted in the language of weaving, drawing from design, painting, and abstraction. In my woven pieces, I explore structure and materiality, and think about the boundaries between artistic hierarchies. 

What drives me to weaving is the possibility of building directly from structure. In my work, structure is not a hidden support system, it is active, visible, and essential to meaning. This process becomes a kind of dialogue with the loom, one where the structure isn’t imposed from the outside but emerges through the act of making. The loom is not just a tool; it shapes the work, and in turn, the work reveals the loom’s logic.